Or even its being like an origination, Three years after that award, he is now finishing his translation of the Aeneid. This book was developed from a course the author has taught for many years with a style and order of presentation of material specifically designed for this audience. Harvard University Digital Accessibility Policy. The effect, for a reader who knows Latin, is to turn the translation into a performance, highlighting how Ferry chooses to render a phrase, smooth out syntax, hem a metaphor. Saturday afternoon. The Harvard Initiative for Learning and Teaching conference considers classroom inclusion and equity. ’01, and W.S. into an older poem? He has published in all the best journals; his Latin translations earned no small praise; and his 1999 collection Of No Country I Know: New and Selected Poems and Translations won multiple prizes and distinctions. On the walls of the pub, the poem ends there. ’16, in the AP newsroom. Anne appears in some of his poems—quietly, to the side, as if in cameo—and always in his dedications, often with epigrams. The same displaced out-of-season effect. He spent the war in northern England; those years gave him time to read. My voice grows hoarse; I must have been seen by a wolf His unseeing gutsAre his only hold on the world outside himself.I love you, and miss you, and I find you hard to imagine.Down at the end of the room, the other soldierIs getting ready, I guess, to go out on pass.He is shining his boots.
, In 2011, Ferry was awarded the $100,000 Ruth Lilly Poetry Prize. And wandered along the snowy banks of the Don He sits on the edge of his bunk,Private, submissive, and heedful of himself,And, bending over himself, he is his own nest.The slightest sound he makes is of his being.He is his mother, and nest, wife, brother, and father.His boots are bright already, yet still he rubsAnd rubs till, brighter still, they are his mirror,And in this mirror he observes, I guess,His own submissiveness.
Maybe having less Latin makes him more attuned to English flow—less preoccupied with fussy literalism, and capable of drawing a sinuous and simple music out of ancient verse: Time takes all we have away from us; Born a New Yorker, she had graduated from Vassar in 1951 and studied for her Ph.D. in English at Columbia under the seventeenth-century specialist Marjorie Hope Nicolson; she wrote on John Milton (the dissertation would become a book, Milton’s Epic Voice, in 1963). PM: What are your thoughts on modernized translations––translations that incorporate a contemporary idiom, etc. Yes and no. Not only is one’s reading going into the writing, but the way you read your experience as you’re trying to write it down, and more particularly as you’re reading your own language in the lines as your developing.
Jeannie Suk Gersen: Do Elite Colleges Discriminate Against Asian Americans? A surprise? So it isn’t exactly an intention to use the one kind of material for the other, but the poems find out that they have had that intention. Do you write by hand? It was the teaching of Reuben Brower and C.L. Saturday afternoon. He has been inscribing his feelings on the lake as he watched it—the lake that is too calm, too unrippled to preserve emotion or meaning on its surface. A late drive leads to a legendary ’66 win over Dartmouth. He grew up and attended Columbia High School amid the “wild hills” of suburban Maplewood, New Jersey.. Virgil’s Orpheus and Eurydice are referenced in the poem “Lake Water,” and quoted at the end of the poem about my father called “Resemblance.”. And I can’t remember if before that I’d thought about writing poems or had tried it. And then another instance in the poem, a little later: The shore was lucky in being backed by cliff. She and Ferry married in 1958; beginning that year, she taught sixteenth- and seventeenth-century English literature at Harvard for eight years, but spent the majority of her career as a professor of English at Boston College. I don’t have a police badge. Poet David Ferry reads from his collection "Bewilderment," which won last year's National Book Award for poetry. And the better the stuff that I read the less that it delivers in a sort of one-on-one way, because it seems so full of conflicting attitudes, so it’s just itself. He holds the title Sophie Chantal Hart Professor Emeritus of English at Wellesley.
Is there something new about your translation that you want to point out that I might want to revisit? 2020, Click to see full image of the Ziegler models.Photograph by Jim Harrison. Everybody is.” But even though legions of poets, as far back as Catullus, have woven translations into their books, the passages Ferry curates come together with a fierce expressive urgency: finding in another poet, writing in a different language, a text that voices what he most needs to say himself, the way a musician might need to play a certain score, or a dancer perform certain steps. Seen twice it seemed a truth was being told. So that modifies the way I was just talking about how so much that happens in the poem is a surprise to the writer. Stevens, along with Frost, were my two biggest experiences, experiences for my listening ear at Amherst. And he took the poem. He has an endearing habit of stopping to worry about whether he is talking too much about himself in interviews— “Because you get invited inadvertently to brag, and I don’t like that,” he explains. His voice is gravelly and confident; he speaks slowly and measures out his thoughts with care—it’s a voice born for poetry readings.
Unto another so long as my five wits Ferry was the recipient of the 2012 National Book Award for Bewilderment. I don’t have such a motive. | Financial Update | DF: The process of composing a poem for me comes from writing something in a journal or as lines of poetry, and trying to understand the possibilities of the insides of the lines of that poem.
To read David Ferry’s Bewilderment is to be reminded that poetry of the highest order can be made by the subtlest of means. Something went wrong. I remember when I was a boy I used to sing Poet and translator, David Ferry, is the recipient of the National Book Award, the Lenore Marshall Poetry Prize, and the Harold Morton Landon Translation Award, among other honors - The Academy of American Poets is the largest membership-based nonprofit organization fostering an appreciation for contemporary poetry and supporting American poets.
In that line, for the first time in the poem, in the third foot, there’s an anapestic variation, and that felt so much like a kind of a panic in the way it is said, as if the voice saying that the line is experiencing this act that’s happening “once by the Pacific.” That way of thinking about lines: what happens in the lines coming as a surprise to the reader, and coming as a surprise, in a way, to the poem, itself––I knew I wanted to talk about this stuff for the rest of my life as a teacher. Your Gradually, it emerges that Ferry still keeps a busy schedule. If I had to guess, at that time, I’d have guessed that I’d become a teacher of literature. The Horace work led to my translating the Eclogues of Virgil and, several years ago, the Georgics of Virgil. Until death’s rage shall cleave me to the root. By that time she would not have known the last stages of the work in that book, and she certainly would not know of the use I made of the story of Orpheus and Eurydice in the poems about her. “I’m really surprised by it,” Ferry recalls. Ferry's other awards include the Sixtieth Fellowship of the Academy of American Poets, the Harold Morton Landon Translation Award, the Teasdale Prize for Poetry, the John Simon Guggenheim Foundation Fellowship, the Ingram Merrill Award, and the William Arrowsmith Translation Prize from AGNI magazine. I don’t know.” But bewilderment isn’t my “subject.” It isn’t a topic; the word just seems appropriate for things that keep coming up in the poems. Your donation today He holds the title of Sophie Chantal Hart Professor Emeritus of English at Wellesley College and lives in Cambridge, Massachusetts.
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